A single drop falls at fixed intervals and expands through water and light into a projected field. The work transforms a minimal event into duration, transmission, and spatial consequence.

An optical environment structured through geometry, reflection, and displacement. Minimal bodily movement reorganises depth, scale, and orientation in real time.

A spatial ensemble shaped by tension, reflection, and relation. Steel structures, shadows, mirrored surfaces, and organic materials articulate a field in which orientation and meaning emerge through connection.

A vessel of vibrating water oscillates between order and rupture. The work examines thresholds at which a structure can no longer absorb the forces acting upon it.

A small body of water vibrates with the recorded rhythm of the artist’s heartbeat. Internal pulse becomes material action, producing brief formations that appear and dissolve in real time.

A linear drawing expands into a tensegrity structure held in distributed equilibrium. Compression and tension articulate a form that moves between line, volume, shadow, and spatial perception.

Light, sound, water, and motion operate as an interdependent system. Vibrations generated through strings and participant interaction reorganise the visible field as a collective and unstable configuration.

Ocean field recordings are transferred into water through a woofer array and tactile transducer. Acoustic energy becomes transient liquid form, opening a reflection on resonance, matter, and transformation.

Heartbeat and low frequencies set a body of water into continuous vibration. The reflected image becomes a field of interference in which relation, reciprocity, and unstable balance remain active.

Informed by the idea of the Music of the Spheres, the work translates planetary motion into tension, vibration, and resonance. Public interaction activates strings whose frequencies reorganise water into unstable cymatic geometries.

Built from the recursive logic of the Sierpinski pyramid, the sculpture rotates slowly along its axis. Shadows, overlaps, and fleeting alignments produce a quiet optical instability.

A body of small-scale experiments in which water and light act as equally constitutive elements in the emergence of form. The project studies thresholds of stability through excitation, vibration, and precise material adjustment.