Untitled

This sculpture is based on an investigation into dimensional translation: the passage of form through different dimensional states. Developed from drawing, the work takes shape through intersecting straight lines that consolidate into an abstract geometry.

The encounter with a stone bearing a closely related structural order reinforced a reflection on continuity between part and whole, drawing and matter, and on the ways form can persist across different materials, scales, and spatial conditions.

Informed by the principle of tensegrity, the sculpture is organised through the interdependence of compression and tension. Compressed elements are suspended within a continuous tensile network, generating a dynamic and distributed equilibrium.

A linear configuration is thus expanded into a three-dimensional structure held in balance. Through its shadow, the volume returns to the plane, completing a continuous relation between drawing and form, surface and space, structure and perception.